Here is my final ad
https://youtu.be/zl0PPF6Wn-o?si=FAXwFfg95N1IYbgA
Or
https://drive.google.com/drive/folders/1-GWZDms02_9xII5y-d4vF9K94K4Gw2Up
Here is my CCR
CCR 1:
https://docs.google.com/presentation/d/1FoxxoN69X9PZPX0nNNGCc-wPaZE1vIPLhr4V-WplqrA/edit?usp=sharing
CCR 2:
https://docs.google.com/presentation/d/14XI4v-bbb6VARJwueM0YohpOVMHsS3soe1cwXXmbRJc/edit?usp=sharing
CCR 3:
https://drive.google.com/drive/folders/1-KUJT_R1vIMDfRu3cb7ssAUZhnKR8sXv
CCR 4:
https://docs.google.com/presentation/d/1vdIuq6M5hhmkVMrIfu5ssWXGn6-4NIFBtfOBiSxOVaQ/edit?usp=sharing
This is the development and the editing of the tourism ad project.
We changed the static ending when the video cut because my teacher said it was too old and we had to change it to a tv static error glitch and remove the volume in the 2nd scene, Maha prefers to use phone because it is easier for him to make edits on phone and we used capcut to make our edits. After that we adjust the brightness
These are the behind the scenes pictures and captions for the tourism ad project.
This was a reshoot as the first time we shot the sky was cloudy and the sunset became obstructed. The sunset in Mertasari beach was as well subpar so we decided to reshoot in Legian beach which resulted in a better timelapse.
Here is the time where we shot our second scene. Our idea was to capture a timelapse of the sun setting so we did this by planting a phone firmly in the tripod then reinforcing the legs by partially burying it in sand. This created a stable shot for us.
At multiple times of the shoot we accidentally walked into frame though in the final video we were merely frames so the consequence is negligible.
Director : | Gus |
Camera Operator: | Panji |
Production assistant: | Maha and Candra |
Director : | Gus |
Camera Operator: | Panji |
Production assistant: | Maha and Candra |
This is the filming schedule for the ad project.
Scene | Date/Time | Location | People | Props | Equiptment | Other |
1 Beach Sunset | Wednesday 28/aug/2024 Sunset | Mertasari Beach | Group | Camera Tripod | ||
2 Pura after dark | Wednesday 28/aug/2024 Sunset | Pura Agung Desa Adat Intaran https://maps.app.goo.gl/AUsA5CoZJK69g52YA | Gusde Panji | Camera | may have to get permisson | |
3 Interview | Friday 30/Aug/2024 7:00.p.m | Griya Gede Karang Tampakgangsul Denpasar https://maps.app.goo.gl/aHvo7f2e1ktCZ1dd9 | Group candra Interviewee Sagara interview | Balinese outfit | Camera Tripod mic lighting | |
4 Interview reshoot | Monday, 2/Sept/2024 7:00.p.m | Griya Gede Karang Tampakgangsul Denpasar https://maps.app.goo.gl/aHvo7f2e1ktCZ1dd10 | Group + Sagara (interviewer) Nara (camera advisor) And Greg (PA) | Camera Tripod mic lighting | ||
5 beach sunset reshoot | Friday 6/Sept2024 7:00.p.m | Legian beach | Group + Nara (camera advisor) + Greg (PA) | Camera Tripod. |
Camera angle :
Long shot
Extreme long shot
Medium shot
Cowboy shot
Close up
Extreme close up
POV
Over the shoulder
High angle
Low angle
Dutch angle
Establishing shot
Fixed | Camera remains static | Calm, peace, normal |
Push in | Camera moves slowly toward subject | Brings the audience closer, more involved, getting more serious. |
Pull out | Camera moves slowly away from subject | Takes audience away from the action, leaving a character. Detaching from subject |
Pan | Side to side, camera fixed | Reveal information, mirrors natural head movement of the audience. |
Tilt | Up and down, camera fixed | Same as pan, just a different direction |
Dolly | Camera moves around freely | More immersive, we are moving inside the subjects world, we feel part of the action |
Tracking | Camera moves around on tracks | Similar to dolly, but smoother. |
Crane | Reveals the epic size of the setting, landscape. | |
Handheld | Camera is shakey | Very natural, immersive. High energy |
Zoom | Zoom | Brings audience closer to budget. Draws our attention to something. |
crane
Description | Effect | |
Diegetic sound | Sound that can be heard by the characters within the media text. | Add a sense of realism. Reveal information to characters (and then audience) |
Non diegetic sound | Sound that can only be heard by the audience. | Enhance meaning, create an emotional response in the audience |
Trans diegetic sound | Sound that transitions from one to the other. | Creates a link between the audience and the world. More immersive |
Continuity Editing | Non continuity editing |
*Match cut |
*Match cut |
story board : it shows a sunset with a establishing shot for 9 second with a soft relaxing music , than there will be a light switch sound followed by the screen going dark . Then the camera pans showing a temple with a traditional gamelan music , with a long shot and keep panning for 6- 7 second ,then there is a transition to an interview with a local people . than the camera will shakes with a intense music and the interviewee's face will be shock and followed by a pan shot showing an creature with scary face and the camera will glitch and fall .
reflection : I dont really understand about the editing because I miss a lesson about the editing , so i need to learn it by myself . and for the others like camera angles and camera movement Mr Nick explained it clearly so i could understand well.
These are the locations and the risks involved with recording in them for the advertisement project
Location 1 | |
Location: | Griya Karang Tampakgansul (goo.gl/maps/vNbWz6sH2SXoeDtK7) |
Events in scene: | Candra will be interviewed about a paranormal incident. |
Pros of location: |
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Cons of location: |
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Alternatives: | Maha's house/ Candra's house |
Risk Assessment | |
Potential hazards: | Disturbing spirits |
Evaluate risks: | Might Get haunted |
Control measures: | Pray to god |
Responsibility: | Gusde's Grandparents (Tuprande) |
Time frame: | Before shooting. |
Other notes: |
Location 2 | |
Location: | Mertasari beach |
Events in scene: | Timelapse of sun setting |
Pros of location: |
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Cons of location: |
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Alternatives: | Kuta beach |
Risk Assessment | |
Potential hazards: | Stranger danger/coral and other natural hazards |
Evaluate risks: | We may get cut from the corals and face sea fauna which could be toxic and strangers may rob us and take our equiptment |
Control measures: | We will wear foot protection that will protect us from sharp corals, blue ring octopus ETC. We will also be vigilant of any suspicious strangers lurking in the area. |
Responsibility: | ME MYSELF AND I |
Time frame: | We will prepare shoes and sandals before embarking. |
Other notes: |
This is my filming schedule,we did it as a group. Scene Date/Time Location People Props Equiptment Other 1 Monday 20/1/2025 greg's off...